Glitched portrait overlaid with a rising candlestick chart

Who we work for_

Our clients are publishing rights holders: songwriters, producers, and investors. We work for one side of the table.

We establish what a catalogue should be earning, claim what it is not, and keep it correct.

Clients keep their publisher, their society, and every copyright they own.

What we find_

  • Every catalogue we have looked at has income that is not arriving.
  • 1,000+ errors found in one catalogue's registrations.
  • 98 recordings streaming without a registered link to the song they contain. The plays counted. The publishing did not.
  • 14 recordings on the books for one work. There were more than 100.
  • These are catalogues you know. We do not discuss whose.
Backed by data, driven by music

We find the income that stopped arriving_

Music rights data degrades continuously. New releases, ownership changes, systems replaced at the companies that pay you. Every change is a chance for income to stop finding its owner. No statement tells you when it does.

dECIBL runs the check that exists nowhere else in the chain. We reconstruct what a catalogue is owed, recover what was missed, and keep it correct.

We take no rights, buy no catalogues, and license nothing. We are paid a share of what arrives.

Years of engineering sit behind every number we find.

1 000+ ERRORS FOUND IN ONE CATALOGUE

Start aconversation_

Tell us what you own and what you want to know about it. We will come back to you.

GET IN TOUCH