Who we work for_
We work for one side of the transaction.
We establish what a catalogue should be earning, claim what it is not, and keep it correct as the catalogue moves.
Clients keep their publisher, their society, and every copyright they own. Our clients are songwriters, producers and catalogue owners whose work is in continuous use, and the people who finance them.
What we find_
- Every catalogue we have looked at has income that is not arriving.
- 1,000+ errors found in one catalogue's registrations.
- 98 recordings streaming without a registered link to the song they contain. The plays counted. The publishing did not.
- 14 recordings on the books for one work. There were more than 100.
- These are catalogues you know. We do not discuss whose.
We find the income that stopped arriving_
Music rights data degrades continuously. New releases, ownership changes, systems replaced at the companies that pay you. Every change is a chance for income to stop finding its owner. No statement tells you when it does.
dECIBL runs the check that exists nowhere else in the chain. We reconstruct what a catalogue is owed, recover what was missed, and keep it correct.
We take no rights, buy no catalogues, and license nothing. We are paid a share of what arrives.
Years of engineering sit behind every number we find.
Start a conversation_
Tell us what you own and what you want to know about it. We will come back to you.
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